Classical Portrait Drawing
Construction and Proportion of the Head

What you will learn
Portrait drawing and
Why take this course?
🎉 Master Classical Portrait Drawing with Luis Borrerro! GroupLayout and Proportion of the Head 🎨🫤
Welcome to "Classical Portrait Drawing: Construction and Proportion of the Head" – a journey into the world of classical naturalistic drawing where you'll unravel the mysteries of human anatomy and proportion, all while crafting stunning portraits. This comprehensive course is designed to elevate your artistic skills to new heights under the tutelage of Luis Borrerro, a seasoned instructor with a passion for classical techniques.
Course Overview:
In this transformative course, you will delve into the intricate process of drawing the human head through both theoretical understanding and practical application. We'll begin by breaking down the complexities of the face into its individual components – eyes, nose, lips, and ears. Each feature is meticulously covered in four dedicated chapters, ensuring you master each form both independently and as part of the whole.
Key Focus Areas:
- Chapter 1: The Eye – Learn the intricate details that make up the human eye and how to render it with precision.
- Chapter 2: The Nose – Understand the structure and variations of the nose, capturing its unique shapes and sizes.
- Chapter 3: The Lips – Explore the subtleties of the mouth's form and how to convey different expressions and moods.
- Chapter 4: The Ear – Discover the anatomical features of the ear and techniques to draw it accurately in various positions.
As you progress, the course will guide you through achieving accurate head proportions and symmetry. You'll learn to recognize and apply these principles in three different views (frontal, three-quarter, and profile), ensuring your drawings are both anatomically correct and aesthetically pleasing.
Practical Application:
- Chiaroscuro Techniques – Dive into the art of light and shadow, learning how to use these elements to create a strong sense of form, depth, and atmosphere in your portraits.
- Real-Life Modeling – Transition from theory to practice by drawing directly from a live model, applying all the skills you've learned.
- Final Project: Full Portrait Demonstration – Culminate your learning with a detailed demonstration of a portrait, capturing all the nuances that make your subject come alive on the page.
Why Choose This Course?
- Expert Instruction – Learn from Luis Borrerro's wealth of knowledge in classical drawing techniques.
- Hands-On Experience – Combine theory with practice for a comprehensive understanding of portrait drawing.
- Flexible Learning – Study at your own pace, fitting the course into your busy lifestyle, and accessing material anytime, anywhere.
- Community Engagement – Connect with fellow students and share your progress, challenges, and triumphs in our supportive online community.
By the end of this course, you will:
- Have a solid grasp of human head proportions and how to apply them.
- Be able to draw facial features with accuracy and finesse.
- Understand and execute chiaroscuro to add depth and realism to your drawings.
- Capture the essence of your subject, creating portraits that are not only anatomically correct but also full of life.
Join us on this artistic adventure and transform your drawing skills with "Classical Portrait Drawing: Construction and Proportion of the Head"! 🎭✨
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Our review
Overall Course Review
The Global course rating stands at an impressive 4.55, with all recent reviews reflecting a high level of satisfaction among students. The course has been praised for its comprehensive approach to learning figurative drawing, particularly in understanding the human portrait. The instructor's dedication to explaining concepts clearly and accurately has been a recurring highlight.
Pros:
- Comprehensive Instruction: The course provides a thorough explanation of the map and axis of the face, offering valuable insights into constructing portraits with precision and artistry.
- Real-World Application: Many students have found the techniques taught to be effective in creating correct and lifelike portraits.
- Quality of Teaching: Luis Borrero is commended for his exceptional teaching abilities, making complex concepts understandable and relatable.
- Clear Explanations: The course's explanations are noted for their clarity, which is essential for artists at various levels.
- Detailed Content: The content covers a range of views (front, 3/4, profile) and provides foundational knowledge that can be applied to both drawing and painting.
- Patience and Technique: The course emphasizes patience in shading techniques, which is appreciated for its practicality and contribution to the overall learning experience.
- Ideal Pacing: For those who may not prefer online learning, the course's pace is described as "ideal" and straightforward, making it accessible to a broader audience.
- Versatility: The course is suitable for both beginners and more experienced artists looking to refine their skills or transition from drawing to painting.
Cons:
- Redundancy in Shading Sections: Some students felt that certain parts of the shading tutorial were redundant, indicating that these sections could be shortened without sacrificing the learning outcome.
- Technology Adaptation: A few students mentioned challenges with adapting to the online learning format, although this was generally overshadowed by positive feedback.
- Desire for Model Visibility Simultaneously: One student suggested it would be beneficial to view the model alongside the drawing instructions, which could enhance the understanding of the forms discussed.
- Tonal Hatching Focus: A preference for more line work and gesture-based hatching over tonal hatching was expressed, particularly in the context of studying the works of artists like Rubens, where line work plays a significant role.
Additional Feedback:
- One student mentioned they would have liked to see the model at the same time as the drawing to better understand the references made during instruction.
- Another student highlighted the importance of learning both tonal and line hatching techniques, suggesting a balance between the two for a more comprehensive understanding of shading.
In summary, this course is highly recommended for artists seeking to improve their figurative drawing skills or to lay the groundwork for starting figurative painting. The clear, detailed explanations and practical approach to teaching make it an exceptional resource for both beginners and advanced students alike. While there are areas that could be improved, such as streamlining certain sections and incorporating simultaneous model visibility, the overall course structure and content are commendable and have been met with great enthusiasm from learners.