#8 Chord Progression:Music Theory 10 Levels Old Rugged Cross
Learn to Reharmonize a simple song from basic chords to a mature music arrangement with advanced chords. 10 Level Chords
What you will learn
SUBSTITUTE chords to create beautiful sounds
PLAY different beautiful chord progressions
LEARN beautiful chord progressions
EXPLORE advanced chords to arrange a song
PLAY a mature music arrangement to a simple song
CREATE jazzy sounds with tritone chords
PUT in secondary dominant chords for more reharmonizing
SPOT dominant chords to reharmonize higher level chords
SUSPEND chords with 4th tone
LISTEN to chord sounds
CREATE nostalgic mood with 9th tones
APPLY b9 to create cocktail chord sounds
USE Harmony rules from Level 1 to Level 10
STEP by STEP to arrange a simple song
APPLY music chords to melody tones
LEARN music chord theory at all levels
HARMONIZE a song from basic chords to advanced chords
Why take this course?
¡Hola Rosa! Parece que estás proporcionando un resumen detallado de los niveles de teoría musical y sus aplicaciones en una canción, así como promociendo tus cursos en Udemy. Aquí hay una traducción al inglés de tu mensaje, seguido de una interpretación y un análisis de las etapas de la teoría musical que mencionas:
Basic Harmony (Level 1): This level introduces the primary chords in a key, namely the tonic (I), subdominant (IV), and dominant seventh (V7). Cadences are common here, particularly the resolution from IV to I and V to I. In the key of C, this would be C, F, and G7.
Chord Extensions & Seventh Chords (Quartal) (Level 2): This level adds extensions to chords like the sixth (6th) and seventh (7th), as well as ninths (9th). Chords such as C6, CM7, C6/9, F6, FM7, F6/9, FM9, and G9 are examples.
Minor Chord Substitutions & Additions (Level 3): This level explores the use of ii, iii, and vi chords as alternatives to the diatonic chords in a key. In C major, this would include Dm, Em, and Am.
Circle of Fifths for Minor Chord Substitutions (Level 4): This level uses the Circle of Fifths to find VII chord substitutes. In this case, it refers to the diminished seventh chords built on the second (Dm7), third (Em7), and sixth (Am7) scale degrees of the C major scale.
Secondary Dominants (Level 5): This level introduces secondary dominant chords, which are dominant chords that prepare for a different tonic chord. These include II7, III7, VI7, and VI in the key of C, which would be Db7, Eb7, Gb7, and Ab7 respectively.
Suspended Chords (Level 9): This level covers suspended chords, such as IV/V, bVII/I, V/VI, and I/II. In the key of C, this would be G7sus, C7sus, A7sus, and D7sus.
Tritone Substitution Chords (Level 10): This level involves using chords built on the tritone (or augmented triad) to substitute other chords, often to create tension and release in a progression. The bII7, bIII7, bVII7, and bVI7 from the previous level are examples of this.
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